Thursday, December 6, 2007

Recapture the Mystery

“The Word became flesh and blood, and moved into the neighborhood.”


—the apostle John describing the birth of his friend Jesus (John 1:14 Message)


There’s a Jewish saying: “God created man because he loves stories.” I think that has a lot of truth to it. But not only does God love stories, he loves the people whose stories are being told moment by moment across the globe. And I’m amazed that the story of my choices, mistakes, regrets—the story of my life—actually matters to God.

I think what makes us unique isn’t so much our height or shape or fingerprints or eye color but our histories, our stories. Day by day our lives are woven into a giant narrative, and every moment we become more and more the story of who we are. We are our stories. And we only connect with other people when we know their stories. The more intimate we are, the more our stories intertwine. That’s one reason divorce is so painful—because it rips a single, deeply threaded story apart into two.


Sometimes I think about all the billions of stories swirling around each other on this planet, touching, deepening, unfurling, unraveling. And each one of those stories, each one of those people, mattered so much to the Author of Life that he left heaven and began the dreadful trek to the cross (see John 3:16). The original script called for unity and harmony, but our first parents chose to derail the story of humanity into a graveyard.


“Okay,” said the Creator. “Then I’ll tell a new story. One that includes a detour through an empty tomb.” But to make that tale come true, he had to enter our story himself.


When Jesus was born, the Word of God became flesh, enmeshed in a story. The storyteller entered the tale. The author stepped onto the page. The poet whose very words had written the cosmos became part of the text of this world.


Like the harmony and the melody living together in the same song, Jesus was divinity and humanity living together in the same heart. He was the Word of God, God’s story, in the flesh.


i went looking for you.


first, i searched through the tomes of church history, the volumes of philosophy, and the writings of the great and holy men . . . but you were not in the books.


then i walked the hills and listened to the creek and learned the ways of the stars and the seasons . . . but you were not in the wilds.


then i looked inside myself and my own knowings, to my will and my reason and my mind’s discernment . . . but you were not in my heart.

then i met a man who told me who i was and who whispered to my spirit the truths of my soul and told me stories that echoed with the longings of my heart. and you were in his stories.
then i saw that you had been in the books and the forests all along. for at last you were in my heart.


When Jesus came to earth he brought along the folktales of heaven. He didn’t lecture like a professor but told fables like a bard, weaving tales of another world into the fabric of human lives.

He told stories because he knew humans are rarely interested in truth unless it’s wrapped up in a story. He taught through stories, used stories to explain himself to his detractors, and helped people with eternal hungers get a foretaste of heaven through his parables. In fact, for a period of time, storytelling was the only way he taught: “Jesus spoke all these things to the crowd in parables; he did not say anything to them without using a parable” (Matthew 13:34 NIV).


Most of his stories were metaphors of heaven. He described the kingdom of heaven in terms of shepherds who would risk their lives for their sheep, women who can’t find enough excuses to celebrate with their girlfriends, and fathers who party till dawn with their wayward sons.


In his stories, kingdom dwellers aren’t just monks or mystics, priests or clerics, but jewelers, treasure hunters, bridesmaids, fishermen, farmers, business executives, outcasts, widows, prostitutes, and thieves.


And I love how irreverent Jesus is in his stories. He compared himself to a chicken, the coming of God’s kingdom to a robber breaking into your house, God’s message of hope to an uncorked bottle of wine, and prayer to a nagging neighbor hungry for a sandwich at midnight.

According to Jesus, we can learn about God’s kingdom from eccentric landowners, dishonest managers, idiots who build condos on quicksand, demon possessed do-gooders, a warm loaf of bread, a field full of weeds, and a little kid tugging at your pants leg asking you to come outside and play. The kingdom of heaven unfurled from his lips in story after story after story.


you untangle the mysteries,


you whisper forth the parables,


you live within the fairy world


and light up the real world


with your tragic magic and your


heart full of blood.


When Christianity becomes something other than entering into and living out the story of God, it becomes something other than Christianity. God’s story isn’t over; it’s still being told today. Each one of us has the potential to become both a chapter of history and his story.


Yet with each story Jesus told, the religious leaders became more and more aware that this troublesome rabbi was using his parables to teach lessons they didn’t like. When he finished one especially pointed tale, they’d had enough: “The Jewish leaders wanted to arrest him for using this illustration because they realized he was pointing at them—they were the wicked farmers in his story. But they were afraid to touch him because of the crowds. So they left him and went away” (Mark 12:12).


But they didn’t stay away. The people Jesus had come to enlighten began to plot ways to silence heaven’s storyteller forever.


touching the unseen


ah, sweet storyteller


what will it take to slay the dragon


and rescue your future bride?


in your hands straw becomes gold,


rags become linen,


and thorns become roses—


dew-covered, scarlet, and fragrant forever.


speak your tale into my heart


so that my life might finally make sense.

Written by Steven James is a professional storyteller, author and poet.

Wednesday, December 5, 2007

Mystery Story

When Dorothy L. Sayers wrote a piece last week under the title "The Great Mystery," she had not returned to her old trade as a topnotch writer of mystery stories (Gaudy Night, Murder Must Advertise, Busman's Honeymoon). She was talking about the mystery of life after death, subject of a new London Sunday Times series (among future contributors: Bertrand Russell, the Aga Khan). Already noted as a translator of Dante and an able amateur theologian, Anglican Author Sayers gave a cogent and striking version of one Christian view of the afterlife.
Heaven. "We must first rid our minds of every concept of time and space as we know them," says Author Sayers. Time and space are created entities, part of the universe that was made by God the way an author writes a book containing its own time and space and people. The universe, like the world of the book, is only relatively real—true reality is the Maker. The souls of men are "capable of entering into the true Reality which we call 'Heaven' or 'the presence of God.' So that when we die, it is not as though the characters and actions of the book were 'continued in our next' like a serial; it is as though they came out from the book to partake of the real existence of their author."

Believers understood this well in the Middle Ages, says Author Sayers. The "childishly literal" conception of Heaven and Hell as places in space and extensions in time began "to creep out of popular mythology into the minds of educated people" after the Reformation and Renaissance. Heaven means meeting the Reality which is God, and for this, human souls need special training to free the will and judgment from error and perversion. If the training is not completed in life, it must be finished after death; "that is why any attempt to hold the spirits 'earthbound'—by 'calling them up' at seances, or even by importunate and possessive grief—is to do them wrong by delaying their entry into beatitude. But sooner or later, if beatitude is what we truly want, we shall get it; for it is what God wants for us."

Hell. The dreadful possibility remains, though, that one's wish for beatitude may be so weakened by self-indulgence that in the moment of death the soul may "shrink away from the presence of God." If this happens, "we shall have what we have willed to have. We shall have to live forever with the sinful self that we have chosen; and this is called Hell.

"God sends nobody to Hell; only a wicked ignorance can suggest that He would do to us the very thing He died to save us from. But He has so made us that what in the end we choose ... we shall have. If we enter the state called

Hell, it is because we have willed to do so ... So the Lady Julian said that in her visions she 'saw no Hell but sin' and St. Catherine of Genoa said that the fire of the torment was the light of God as experienced by those who reject it."

Tuesday, December 4, 2007

Dark Side of the Moon

Dark Side of the Moon is a French mockumentary by director William Karel which originally aired on Arte in 2002 with the title Opération Lune. The basic premise for the film is the theory that the television footage from the Apollo 11 Moon landing was faked and actually recorded in a studio by the CIA with help from director Stanley Kubrick. It features some surprising guest appearances, most notably by Donald Rumsfeld, Dr. Henry Kissinger, Alexander Haig, Buzz Aldrin and Stanley Kubrick's widow, Christiane Kubrick.

Plot summary

The tone of the documentary begins with low key revelations of NASA working closely with Hollywood at the time of the Moon landings. Over the course of the tale, Karel postulates that not only did Kubrick help the USA fake the moon landings but that he was eventually killed by the CIA to cover up the truth. First hand testimony backing these claims come from Rumsfeld and Dr. Kissinger lends credence to the story.


It is finally revealed that this is a mockumentary as the end credits roll over a montage of blooper reels, with the main participants laughing over the absurdity of their lines or questioning if particular ones would give the joke away too soon. Besides being a comedic documentary, it is also an exercise in Jean Baudrillard's theories of hyperreality.

Trivia

Australian broadcaster SBS television aired the film on April 1 as an April fools' joke.
Several of the fictitious interviewees, such as Dave Bowman and Jack Torrance, are named after characters from movies directed by Stanley Kubrick.